PriscillaWith Priscilla, Sofia Coppola warns us, in possibly the most devastating terms yet, of the dangers of beauty. Priscilla is an agonisingly…Jan 13Jan 13
The Nutcracker at Cambridge Junction — a ReviewMoxie Brawl’s The Nutcracker is a riotous celebration of nonconformity and individuality. Part heart-wrenching Christmas fable and part…Dec 15, 2022Dec 15, 2022
The Junction Young Company’s Re-Do: A ReviewThe Junction Young Company’s Re-Do is a fragmentary burst of earnest creativity, propelled by strong performances by its large ensemble…Apr 20, 2022Apr 20, 2022
The Dan Daw Show — a ReviewThere’s a point in The Dan Daw Show where the eponymous hero Dan Daw turns to the audience and says, “I just want to be in control and…Mar 6, 2022Mar 6, 2022
Emma Spearing’s Whole and Charmaine Childs’ POWER: A ReviewPlacing two shows like Emma Spearing’s Whole and Charmaine Childs’ POWER on a double bill is a daring feat. Each show probes and challenges…Nov 25, 2021Nov 25, 2021
Emma Frankland’s “Hearty”: A ReviewStepping into the theatre ahead of Emma Frankland’s deeply discomforting Hearty is like entering a broken, distorted nightmare. The stage…Sep 28, 2021Sep 28, 2021
The SlipI found the ticket in one of my grandfather’s old war books. He had about a hundred of them on the shelf, and I’d never really paid any…Jun 20, 2021Jun 20, 2021
